Animator/programmer Raven Kwok’s talents for generative visuals and processing algorithms prove a perfect compliment for musician/scientist Max Cooper’s track “Rule 110” which attempts “to visualize a Turing-complete machine.”
Lord and Miller wanted the film to feel like “you walked inside a comic book”, and were excited about telling the story in a way the live-action films couldn’t. The CGI animation for the film was combined with “line work and painting and dots and all sorts of comic book techniques” to make it look like it was created by hand.
A Short film to celebrate the 50th Anniversary of the Telecaster. Story/narrator: Jimmy Page
Damian Kulash (OKGO) directed the new ZenFone 5 commercial for ASUS. It features the spectacularly talented Ian Eastwood (http://www.ian-eastwood.com/) dancing with over two thousand ZenFone 5’s to our song “I’m Not Through.” This is a little peek behind the scenes, made by our longtime friend and collaborator Geoff Shelton (http://www.geoffshelton.com/).
The music video for ‘The White Stripes’ is a Lego animation directed by Michel Gondry. Gondry’s son was featured at the beginning of the video, building Lego blocks. It was shot frame by frame with each frame having the Lego bricks rebuilt, sometimes in a complex manner to seem as if it were an actual shot, and then formed together to give the illusion of motion. (2001)
is a 2009 stop-motion 3D fantasy children’s film based on Neil Gaiman’s 2002
novel of the same name. It was produced by Laika and distributed by Focus
Features. Written and directed by Henry Selick.
Coraline won the Annie Awards for best music, character design, and production design and received an Academy Award and Golden Globe nomination for Best Animated Feature.An adventurous girl finds another world that is a strangely idealized version of her frustrating home, but it has sinister secrets. Universal – 2009
Michael Jackson’s visually stunning “Leave Me Alone” short film, a sly commentary on the media frenzy that often surrounded him, won a Grammy Award for Best Short Form Music Video and was ranked one of the Top 10 Music Videos in a 2008 Rolling Stone critics’ poll.
In their latest push for Season 2019, the development team has released a new trailer and song titled “Awaken” (ft. Valerie Broussard) — easily one of the best cinematic and musical trailers so far in 2019.
Inspiration Wall is a spatial kinetic installation situated in the foyer of the Merck Innovation Center (Darmstadt, Germany).
Being processual, dynamic and interactive, the installation symbolizes the interplay between inspiration and innovation, and giving the foyer its unique identity.
Friedli uses 3,000 pictures in a montage that distills the story of human existence in just under five minutes and delivers a profound and moving thesis on this thing we call life.
Production: YK Animation Studio
Shrooms is a research project in working with artificial growth algorithms for image creation. How does the use of semi-supervised algorithms inform our creative language? Where do the two worlds blend and create new digital aesthetics?
The sound – also designed by the Ai and us – was conceived similarly, we fed basic parameters to a sequencer from today and programmed 30-year-old machines to give us the results.
All packed with love.
“Power” is a song by American hip hop recording artist Kanye West, released as the lead single from his fifth studio album, My Beautiful Dark Twisted Fantasy (2010)
Working with director Marco Brambilla, UVPH created additional 3D graphics for Kanye West’s “Power” music video.
The Nightmare Before Christmas is a 1993 American stop-motion animated musical dark fantasy Halloween-Christmas film directed by Henry Selick, and produced and conceived by Tim Burton. It tells the story of Jack Skellington, the King of “Halloween Town” who stumbles through a portal to “Christmas Town” and decides to celebrate the holiday.
“Sledgehammer” is a song by English rock musician Peter Gabriel. It was released as the lead single from his fifth studio album, So (1986)
The Music Video is directed by Stephen R. Johnson, produced by Adam Whittaker. Claymation, pixilation, and stop motion animation provided by Aardman Animations and the Brothers Quay.