Background Visuals for the opening concert ‘Bosh Choirbooks’ by the Cappella Pratensis, March 2020 ‘s-Hertogenbosch. Made with the initials from the books.
Music: Nesciens Mater by Jean Mouton
Duck Amuck is an American animated cartoon short directed by Chuck Jones and produced by Warner Bros. Cartoons. The short film was released in early 1953 by The Vitaphone Corporation, the short subject division of Warner Bros., as part of the Merrie Melodies series. It stars Daffy Duck, who is tormented by a seemingly sadistic, unseen animator, who constantly changes Daffy’s locations, clothing, voice, physical appearance and even shape, much to Daffy’s aggravation and rage. Pandemonium reigns throughout the cartoon as Daffy attempts to steer the action back to some kind of normality, only for the animator to either ignore him or, more frequently, to over-literally interpret his increasingly frantic demands. In the end, the tormenting animator is revealed to be Bugs Bunny.
A kinetic typography animation made in a ‘Typofilm workshop’ at the Highschool for Arts, ArtCoDe Tilburg by Wim Goossens. The audio excerpt is from the podcast ‘HeavyWeight’ by Jonathan Goldstein.
Japanese anime film told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
La Linea (“The Line”) is an Italian animated series created by the Italian cartoonist Osvaldo Cavandoli. The series consists of 90 episodes, each about 2–3 minutes long and were originally broadcast on the Italian channel RAI between 1971 and 1986. Over the years the series aired in more than 40 countries around the world.
Dive in – An illustrated tale is an underwater journey, through revolving landscapes and unexpected monsters, a world of breathing caves and valleys, tiny fishes and huge, hiding whales. Made with a set of 33 looping gifs.
Taking inspiration from my favourite designers of all time, Fortunato Depero, Enzo Mari, Bruno Munari, i tried to create, like them, an uncommon product for children and grown ups.
The title sequence for Spider-Man: Into the Spider-Verse takes us on a kaleidoscopic journey through an endless array of Spider-Men across infinite dimensions. We explore a multiverse of colorful visuals and scenarios, all visually inspired from the tactile quality of the comic books and traditional animation techniques.
Simple machines work together to make music.
BEEPLE is mike winkelmann he makes a variety of art crap across a variety of media. some of it is ok, but a lot of it kind of blows ass. he’s working on making it suck less everyday though so bear with him… 🙂
Dark Room is a reflection about relationships. The hero of this project revisits some old photos and start to be hunted by the ghost of his ex-girlfriend. The film also talks about how memories and photographies might not show what really happens between couples. In other words, Happiness does not exist without sadness and sadness does not exist without happiness.
Spanish animator/illustrator Cristóbal Vila uncovers the intricate beauty of life by dissecting geometric concepts including polygonal tessellation, the golden angle, Islamic tiling, and the four nitrogenous bases of DNA.
Cristóbal Vila: “This is a new personal project that seeks to establish connections between various fields that interest me deeply: geometry, and how it appears linked to nature, on the one hand, and to art and architecture, on the other; raising relations between all of them.”
A scene from the film ‘V for Vendetta’ where V introduces himself to Evy through a speech full of alliteration.
Japanese director/animator Hideki Inaba video for Swedish duo Canigou showcasing his signature brand of hypnotic CG complexity.