The title sequence for Spider-Man: Into the Spider-Verse takes us on a kaleidoscopic journey through an endless array of Spider-Men across infinite dimensions. We explore a multiverse of colorful visuals and scenarios, all visually inspired from the tactile quality of the comic books and traditional animation techniques.
Simple machines work together to make music.
BEEPLE is mike winkelmann he makes a variety of art crap across a variety of media. some of it is ok, but a lot of it kind of blows ass. he’s working on making it suck less everyday though so bear with him… 🙂
Dark Room is a reflection about relationships. The hero of this project revisits some old photos and start to be hunted by the ghost of his ex-girlfriend. The film also talks about how memories and photographies might not show what really happens between couples. In other words, Happiness does not exist without sadness and sadness does not exist without happiness.
Spanish animator/illustrator Cristóbal Vila uncovers the intricate beauty of life by dissecting geometric concepts including polygonal tessellation, the golden angle, Islamic tiling, and the four nitrogenous bases of DNA.
Cristóbal Vila: “This is a new personal project that seeks to establish connections between various fields that interest me deeply: geometry, and how it appears linked to nature, on the one hand, and to art and architecture, on the other; raising relations between all of them.”
A scene from the film ‘V for Vendetta’ where V introduces himself to Evy through a speech full of alliteration.
Japanese director/animator Hideki Inaba video for Swedish duo Canigou showcasing his signature brand of hypnotic CG complexity.
The sequence combines the characters, humour and surreal tone of the series with 3D objects, live-action elements, and original 2D illustrations, finding a sweet spot somewhere between the otherworldly work of illustrator Dave McKean and the wacky collage of director-animator Terry Gilliam.
This is a short film about The Raree Man and his Peepshow, performed by Tony Lidington and produced on behalf of Promenade Promotions Limited.
The Domrémy basilica hosts an immersive video mapping to tell about the story of Joan of Arc. The sound and light show relies on 29 video-projectors and 8 Modulo Player media servers. Show design & creation: Damien Fontaine.
Above, one of the key elements of the exhibition ‘The Art of Piranesi: architect, engraver, antiquarian, vedutista, designer’, a 12 minute animation of Piranesi’s Carceri series made by Gregoire Dupond.
This series of 16 visionary images, originally etched by Piranesi when in his late 20’s, shows the workings of his imagination, merging his architectural ambitions with his obsessive interest in antiquity. Watching Gregoire Dupond’s animation is literally like entering Piranesi’s mind.
Incredibles 2 is a 2018 computer-animated superhero film produced by Pixar Animation Studios and distributed by Walt Disney Pictures. Written and directed by Brad Bird, it is the sequel to The Incredibles (2004)
Pamela B. Green is a co-founder, producer, and creative director at PIC Agency. She produced and directed the film Be Natural: The Untold Story of Alice Guy-Blaché, a feature-length documentary about the first female film director which premiered at the 2018 Cannes Film Festival. The film is narrated by Jodie Foster and its executive producers include Foster as well as Robert Redford, Hugh Hefner, and others.
Is a kinetic typography animation. Purely typographic opening titles to conference ‘Made in the Middle’, a solidly engaging work that steamrolls and stretches text, moving back and forth between steady restraint and invigorating energy.
Who is she? Where is she? Carmen Sandiego is back! In addition to handling Production Design on the rebooted series, Chromosphere created the show’s opening title sequence. To reintroduce Carmen to the world, we combined a moody noir-inspired cat & mouse sequence with a high energy, kinetic action montage, reminding everyone that she’s as badass as she is mysterious.