The Snowman is is based on a children’s picture book without words by English author Raymond Brigg. The animation is told through pictures, action and music, scored by Howard Blake. It is wordless like the book, except for the song “Walking in the Air”.
A young boy whose dog has just died moves into the house in whose backyard the snowman was built. Finding a photograph of the snowman the boy rebuilds him, fashioning a snowdog out of the excess snow. The trio fly off in a plane to meet Santa, who gives the boy a magical dog collar which will make it the happiest Christmas ever for him. (1982)
Moscow production and VFX house Revolution Studio tease an unnamed new project with the release of this stunning all-CG clip of Japanese red crown cranes dancing in a verdant bamboo forest.
Mill+ co-director Ben Smith and co-director Bryce Wymer teamed up with Netflix to create the stunning title sequence for Marco Polo, a series for Netflix.
Behind the scenes video
ManvsMachine construct a series of delightful kinetic CG sculptures based on the work of sneaker design superstars Hiroshi Fujiwara, Tinker Hatfield, and Mark Parker to help Nike fans mark Air Max Day 2016.
“We worked closely with Nike Sportswear to conceptualize and execute a huge global campaign culminating in events across the world. We see the unique mechanics of each Nike designer’s mind – Hiroshi: The Editor of Air. Tinker: The Architect of Air. Mark: The Visionary of Air.”
Project Air Max Day ’16
Just outside Boston in Somerville, Massachusetts, Jessica Rosenkrantz, Jesse Louis-Rosenberg and their small team at Nervous System explore the intersection of science, art, and technology – writing code based on processes and patterns found in nature to create art, jewelry, clothes and housewares.
Floraform is inspired by the biomechanics of growing leaves and blooming flowers. Each piece emerges from a computational simulation of differential growth, a surface that grows at different rates in different location. The flowering structures expand fastest along their edges, evolving from simple surfaces to flexuous forms that fill space with curves, folds, and ruffles.
The opening title sequence for Tarsem’s The Fall is the perfect example of a director’s absolute control over his vision. To view it after seeing the film is a gift; a rare and beautiful thing. Surreal, extravagant, and a world singularly Tarsem. What is it to sense things in such a way?
Scored to Beethoven’s Symphony No. 7 In A Major, Op. 92 (2-Allegretto), the visuals hit their money notes in quick succession. The bridge becomes a stage and the caballus curtain rises as the sequence concludes. It is a dream, and we are Dorothy, remembering the players.
Art of the Title
Designed and animated by the Moth team in London, Conan’s wish to have The White Stripes perform on the final episode of Late Night with Conan O’Brien comes true in the most fabulous way.
The film was commissioned by Third Man Books to promote the release of a children’s picture book based on The White Stripes song “We’re Going to be Friends” written by Jack White and illustrated by Elinor Blake (aka musician April March).
The Moth, true stories told live